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Elaine Saunders stepped into Bachrach’s Millinery in Northwest Washington one late winter day in 1953, and there it was, calling her name: a pale fuchsia straw hat with an upturned brim and matching rosebuds circling the crown.

“It’s a Mr. John,” Saunders, now 77, recalls without explanation, certain the designer’s name alone says this was no ordinary hat.
 

She paid $5 to put it on layaway and made regular installments until she’d covered the $35 cost. When she finally clutched the gold braided handle of the pink floral hatbox and strutted out of the shop, she knew that this final touch to her pale pink Easter suit would place her among the best-dressed young ladies at Zion Baptist Church. And that would be no small feat, since proper church ladies back then all wore hats — their finest, of course, on Easter.
 
For generations, church sanctuaries across the nation on Sunday mornings, especially in black churches and especially on Easter, transformed into a collage of hats: straw ones, felt ones, velvet ones, every shape, size and color, with bows, jewels and feathers, reaching for the heavens.
 
But anyone walking into today’s services expecting to see a nonstop parade of women making fashion statements on their heads will be sorely disappointed. Many daughters and granddaughters of the women who made bold and flashy hats synonymous with the black church have not carried on the tradition.
 
Anita Saunders, 42, Elaine’s youngest daughter, grew up watching her mother’s generation flaunt their hats in church.
 
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article courtesy of BCNN1.com

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