VIA:  SmokeyRobinson.Com

The dictionary defines the popular term “comfort food” as “food prepared in a traditional style having a usually nostalgic or sentimental appeal.” It has been known to have a buffering effect as it soothes the soul and spurs memories of more “comforting” times. If that concept holds up in the kitchen, then it makes perfect sense that it should hold true in the living room with its aural equivalent. While it’s already a known fact that popular songs often connect with listeners in a highly personal way, often recalled alongside life’s more personal moments, only a few distinctive voices in popular music can achieve that same effect with instantaneous familiarity. With his eternally smooth and instantly recognizable falsetto alone – without the strings, bass, guitar or drums – legendary singer/songwriter/producer SMOKEY ROBINSON’s honey-coated voice absolutely is the audio equivalent of comfort food…comfort food for the soul…with soul. In following with the aforementioned definition, the Motown legend’s forthcoming ROBSO Records CD, Time Flies When You’re Having Fun has certainly been “prepared in a traditional style,” while that oh-so-familiar, highly identifiable crooning has an indisputable “nostalgic or sentimental appeal.”

Indeed, the “traditional” element of Time Flies When You’re Having Fun had already been determined while Robinson was recording his last CD, 2006’s pop/jazz standards collection Timeless Love. Just as that particular project had been recorded live in the studio with musicians – the first time he had recorded a full LP that way in years – Smokey knew he wanted to record his newly-written contemporary R&B songs in the very same fashion. In fact, he was so inspired by recording the “old school way” that the recording schedule for both projects actually overlapped. “I was having such a ball making that project (Timeless Love),” he explains. “I hadn’t intended on doing them simultaneously because I knew that Timeless Love was the one I was going to come out with. But things were going so well with that project that I said, ‘I’m gonna start putting in some of the original material I’d written for my new CD (Time Flies When You’re Having Fun) and record it this way too.’ I knew I was going to do these particular songs, but I didn’t realize I was going to wind up recording them live like I did with Timeless Love. So I did and we had a ball.” Though he’s the first to acknowledge and appreciate the technologically advanced way that recording for most releases are done today, like the cleaner sound and creative lee-way afforded by ProTools, Robinson was steadfast in his penchant for live instrumentation for this CD. “I think that you still don’t get that feeling that you used to get in the old days when everybody was in the studio together,” says Robinson, whose early Motown classics were recorded in this fashion. “That way was like doing a concert, because everybody was feeding off of each other. It’s just that live vibe.”

Click here to read more on Smokey Robinson…

Check out “Ebony Eyes” by Smokey Robinson and Rick James:

On January 18, 1958, hockey player Willie O’Ree of the Boston Bruins takes to the ice for a game against the Montreal Canadiens, becoming the first black to play in the National Hockey League (NHL).

Born in 1935 in Fredericton, New Brunswick, Canada, O’Ree was the son of a civil engineer, in one of Fredericton’s only two black families. He began skating at the age of three, and joined a nearby hockey league when he was only five. During five years playing with his older brother on teams in Fredericton, O’Ree became known as one of the best players in New Brunswick. After one season with the Quebec Frontenacs of the Quebec Junior Hockey League, he joined the Kitchener Canucks of the Ontario Hockey Association Junior “A” Hockey League, setting a career-high mark of 30 goals during the 1955-56 season. That year, a puck struck O’Ree in the right eye during a game, robbing him of 95 percent of the vision in that eye.

O’Ree managed to conceal the injury and continue his hockey career, joining the Quebec Aces of the prestigious Quebec Hockey League in 1956. During his second season with Quebec, the Boston Bruins of the NHL called up the 22-year-old O’Ree to replace an injured player. On January 18, 1958, the Bruins were playing the two-time Stanley Cup champion Montreal Canadiens at Quebec’s Montreal Forum. O’Ree took to the ice as a forward with the Bruins’ third line, as the Bruins pulled off an upset 3-0 victory. He didn’t score, or record a penalty, and the historic event took place amid little fanfare.

Click here to read more…

The NAACP elected a health care executive as its youngest board chairman Saturday, continuing a youth movement for the nation’s oldest civil rights organization.  Roslyn M. Brock, 44, was chosen to succeed Julian Bond. She had been vice chairman since 2001 and a member of the NAACP for 25 years.

Brock works for Bon Secours Health Systems in Maryland as vice president for advocacy and government relations, and spent 10 years working on health issues for the W.K. Kellogg Foundation. She joins Benjamin Todd Jealous, the 37-year-old CEO of the NAACP, as leader of the 500,000-member organization.

Brock said she plans to focus on pushing for policy changes to eliminate inequality, strengthening the relationship between the national and local NAACP branches and holding people accountable.

“It’s not always what someone is doing to us, but what we are doing for ourselves,” Brock said in an interview.

The departure of Bond, 70, after 10 years as board chairman marks a turning point for the National Association for the Advancement of Colored Pepole.

Bond came of age in the segregated South, helped found the Student Non-Violent Coordinating Committee and was on the front lines of the protests that led to the nation’s landmark civil rights laws. He is a symbol and icon of “the movement,” which was a defining experience for older generations.

Click here to read more…

VIA:  AltheaGibson.Com

Born August 25, 1927 in Silver, SC, A right-hander, grew up in Harlem. Her family was poor, but she was fortunate in coming to the attention of Dr. Walter Johnson,
a Lynchburg VA physician who was active in the black tennis community. He became her patron as he would later for Arthur Ashe, the black champion at Forest Hills (1968) and Wimbledon (1975). Through Dr. Johnson, Gibson received better instruction and competition, and contacts were set up with the USTA to inject her into the recognized tennis scene.

A trailblazing athlete who become the first African American to win championships at Grand Slam tournaments such as Wimbledon, the French Open, the Australian Doubles and the United States Open in the late 1950s. Gibson had a scintillating amateur career in spite of segregated offerings earlier in the decade.

She won 56 singles and doubles titles during her amateur career in the 1950s before gaining international and national acclaim for her athletic prowess on the professional level in tennis.

Gibson won 11 major titles in the late 1950s, including singles titles at the French Open (1956), Wimbledon (1957, 1958) and the U. S. Open (1957, 1958), as well as three straight doubles crowns at the French Open (1956, 1957, 1958).

Check out this tribute to Althea Gibson:

Watch Althea win @ Forest Hills 1957:

Washington, D.C., native Taraji P. Henson didn’t always know that her smoldering charisma and beautiful face would make her a professional actress.

On the contrary, she originally studied electrical engineering when she enrolled at North Carolina Agric & Tech. She later transferred to Howard University, where she attended classes while working as a secretary at the Pentagon, and as a singer and dancer aboard a cruise ship. She eventually changed her academic focus to theater and graduated in 1995.

Henson’s career began with appearances on Homicide: Life on the Street and ER, but it really took off when she was cast in a major supporting role in 2001’s Baby_Boyand 2004’s Hustle_&_Flow, in which she also showcased her vocal talents, singing on the track “It’s Hard Out Here for a Pimp” for the movie’s soundtrack, which took home the Best Song Oscar that year. Henson later moved on to take major roles in Smokin’_Aces and Talk to Me. Henson made the most of her work as the mother of the backward-aging man in David Fincher’s The Curious Case of Benjamin Button, and her performance garnered Best Supporting Actress nominations from both the Screen Actors Guild, and the Academy.

VIA:  YAHOO MOVIES.COM:

Denzel Washington burst onto the big screen with an Oscar and Golden Globe-winning role in the Civil War epic “Glory” (1989). But over the following decade, the matinee-idol handsome actor became the first of his generation’s African-American movie stars to land squarely on Hollywood’s A-list – as likely to be tapped to play a heroic lead as any white actor would have been a shoe-in for only a decade prior.

Likened to Sidney Poitier for his ability to appeal to a multiracial audience, Washington’s grounding force was a critical and audience favorite in historical dramas like “Cry Freedom” (1987), “Malcolm X” (1992) and “American Gangster” (2007), as well in more action-driven dramas such as “The Pelican Brief” (1993), “Remember the Titans” (2000) and “Training Day” (2001). Rising above the “black actor” moniker, Washington not only held a firm position as one of Hollywood’s top dramatic leads well into the new millennium, he also earned industry respect for his filmmaking efforts – directing and producing both “Antwone Fisher” (2002) and “The Great Debaters” (2007).

Washington has been awarded three Golden Globe awards and two Academy Awards for his work. He is notable as the second African Americanman (afterSidney Poitier) to win the Academy Award for Best Actor, which he received for his role in the 2001 film Training Day.

Are you a true Denzel fan?  Take the Denzel Washington trivia quiz below and test how you rate.

1) On with 1980’s television drama was Denzel Washington a regular?

a) E.R.
b) St. Elsewhere
c) Chicago Hope

2) One of Denzel Washington’s early movies was the comedy Carbon Copy but he’s only made three comedies in his long career. The second was The Preacher’s Wife, what was the third?

a) Heart Condition
b) The Mighty Quinn
c) Mo’ Better Blues

3) Denzel Washington’s character was paralyzed in which movie?

a) Virtuosity
b) The Bone Collector
c) Ricochet

4) Denzel Washington won an Academy Award for which movie?

a) The Hurricane
b) Malcolm X
c) Training Day

5) American Gangster wasn’t the only movie Denzel Washington and Russell Crowe appeared in together – what was the first?

a) Virtuosity
b) Fallen
c) Devil in a Blue Dress

6) What was Denzel Washington’s first feature film?

a) A Soldier’s Story
b) Carbon Copy
c) Cry Freedom

7) Denzel was in a movie version of which William Shakespeare play?

a) Hamlet
b) Much Ado About Nothing
c) Othello

Answers:  1) b;  2) b;  3) b; 4) c; 5) a; 6) a; 7) b

Denzel Washington responds to the debate over why some of his roles haven’t been honored by the Academy. Check local listings for airdates of Tavis Smiley on PBS.

VIA: SpeakOutNow.Org

Through her activism and her scholarship over the last decades, Angela Davis has been deeply involved in our nation’s quest for social justice. Her work as an educator – both at the university level and in the larger public sphere – has always emphasized the importance of building communities of struggle for economic, racial, and gender equality.

Professor Davis’ teaching career has taken her to San Francisco State University, Mills College, and UC Berkeley. She has also taught at UCLA, Vassar, the Claremont Colleges, and Stanford University. She has spent the last fifteen years at the University of California Santa Cruz where she is Professor of History of Consciousness, an interdisciplinary Ph.D program, and Professor of Feminist Studies.

Angela Davis is the author of eight books and has lectured throughout the United States as well as in Europe, Africa, Asia, Australia, and South America. In recent years a persistent theme of her work has been the range of social problems associated with incarceration and the generalized criminalization of those communities that are most affected by poverty and racial discrimination. She draws upon her own experiences in the early seventies as a person who spent eighteen months in jail and on trial, after being placed on the FBI’s “Ten Most Wanted List.” She has also conducted extensive research on numerous issues related to race, gender and imprisonment. Her most recent books are Abolition Democracy and Are Prisons Obsolete? She is now completing a book on Prisons and American History.

Click here to read more on Angela Davis…

Check out this video of Anglea speaking at UCLA:

Check out this video of Angela’s 1984 appearance on Buchanan/Braden debating Racism:

VIA:  ShaniDavis.Com

Shani Davis was born on Friday, August 13, 1982, in Chicago, Illinois. Raised by his mother on the city’s south side, he started roller-skating at local rinks at age two. By age three Shani was darting around the roller rink so fast that skate guards would chase him just to ask him to slow down. Seeming to become bored with roller-skating, at age six a coach suggested that Shani switch to ice skating. Shortly thereafter, his mother started working for an attorney, Fred Benjamin, whose son happened to be involved in speed skating at an elite level. It was at that time that Benjamin suggested that Shani give speed skating a try.

Shani joined the Evanston Speedskating Club at age six and within two months started competing locally. Though immediately taking to ice, at competitions Shani was generally more interested in running around with his competitors and playing video games than he was with competing. Nevertheless, by age 8 he was winning regional age-group competitions and began to hear about the Olympic ideal from his Northbrook competitors and friends. Shani’s mother encouraged him to participate and, in an effort to build his endurance, woke him most mornings to run a mile on a track close to their home. As there were — and still are — no speed skating clubs in inner city Chicago, at age 10 Shani and his mother moved to the far north side of the city to be closer to the Evanston rink.

Click here to read more on Shani Davis…

Watch Shani’s video blog dated 2/13/10:

2006 World Cup Interview:

VIA:  ICDC.Com

THE FBI’S COVERT ACTION PROGRAM TO DESTROY THE BLACK PANTHER PARTY

INTRODUCTION

In August 1967, the FBI initiated a covert action program — COINTELPRO — to disrupt and “neutralize” organizations which the Bureau characterized as “Black Nationalist Hate Groups.” 1 The FBI memorandum expanding the program described its goals as:

1. Prevent a coalition of militant black nationalist groups….

2. Prevent the rise of a messiah who could unify and electrify the militant nationalist movement … Martin Luther King, Stokely Carmichael and Elijah Muhammad all aspire to this position….

3. Prevent violence on the part of black nationalist groups….

4. Prevent militant black nationalist groups and leaders from gaining respectability by discrediting them….

5. . . . prevent the long-range growth of militant black nationalist organizations, especially among youth. 2

The targets of this nationwide program to disrupt “militant black nationalist organizations” included groups such as the Southern Christian Leadership Conference (SCLC), the Student Nonviolent Coordinating Committee (SNCC), the Revolutionary Action Movement (RAM), and the Nation of Islam (NOI). It was expressly directed against such leaders as Martin Luther King, Jr., Stokley Carmichael, H. Rap Brown, Maxwell Stanford, and Elijah Muhammad.

The Black Panther Party (BPP) was not among the original “Black Nationalist” targets. In September 1968, however, FBI Director J. Edgar Hoover described the Panthers as:

“the greatest threat to the internal security of the country.

“Schooled in the Marxist-Leninist ideology and the teaching of Chinese Communist leader Mao Tse-tung, its members have perpetrated numerous assaults on police officers and have engaged in violent confrontations with police throughout the country. Leaders and representatives of the Black Panther Party travel extensively all over the, United States preaching their gospel of hate and violence not only to ghetto residents, but to students in colleges, universities and high schools is well.” 3

By July 1969, the Black Panthers had become the primary focus of the program, and was ultimately the target of 233 of the total authorized “Black Nationalist” COINTELPRO actions. 4

Although the claimed purpose of the Bureau’s COINTELPRO tactics was to prevent violence, some of the FBI’s tactics against the BPP were clearly intended to foster violence, and many others could reasonably have been expected to cause violence. For example, the FBI’s efforts to “intensify the degree of animosity” between the BPP and the Blackstone Rangers, a Chicago street gang, included sending an anonymous letter to the gang’s leader falsely informing him that the the Chicago Panthers had “a hit out” on him. 5 The stated intent of the letter was to induce the Ranger leader to “take reprisals against” the Panther leadership. 6

To read more click here…

Check out this video of the 1968 Senate hearing on the Black Panther Party:

VIA: TYLERPERRY.COM

Tyler Perry is by all means, a Renaissance man.  He’s an actor, director, screenwriter, producer and author.  He is a true American success story.

Tyler Perry’s inspirational journey from the hard streets of New Orleans to the heights of Hollywood’s A-list is the stuff of American legend.  Born into poverty and raised in a household scarred by abuse, Tyler fought from a young age to find the strength, faith and perseverance that would later form the foundations of his much-acclaimed plays, films, books and shows.It was a simple piece of advice from Oprah Winfrey that set Tyler’s career in motion.

Encouraged to keep a diary of his daily thoughts and experiences, Tyler began writing a series of soul-searching letters to himself-letters full of pain, forgiveness, and, in time, a healing catharsis.  The letters inspired a musical, I KNOW I’VE BEEN CHANGED, and in 1992 Tyler gathered his life’s savings and set off for Atlanta in hopes of staging it for sold out crowds.  He spent all the money but the people never came, and Tyler once again came face to face with the poverty that had plagued his youth.  He spent months sleeping in seedy motels and his car but his faith-in God and, in turn, himself-only got stronger.  He forged a powerful relationship with the church, and he kept writing.

In 1998 his perseverance paid off and a promoter booked I KNOW I’VE BEEN CHANGED for a limited run at a local church-turned-theatre.  This time the community came out in droves, and soon the musical moved to Atlanta’s prestigious Fox Theatre.  Tyler Perry never looked back.I KNOW I’VE BEEN CHANGED was a poignant story of failure and redemption, and it resounded with urban audiences who identified with its themes and exalted in its spirit.  In Tyler they’d found a voice for their longings, and an outlet for their entertainment, and so began an incredible run of eight plays in as many years, including WOMAN THOU ART LOOSED!, a celebrated collaboration with the prominent Dallas pastor T.D. Jakes.

But if audiences were buoyed by Tyler’s faith, they were bowled over by his humor.  No way around it: the man was plain funny.  Nowhere was this more in evidence than in 2000’s I CAN DO BAD ALL BY MYSELF, which marked the first appearance of the now-legendary Madea.  A God-fearing, gun-toting, pot-smoking, loud-mouthed grandmother, Madea was played by Perry himself.  Madea was such a resounding success, she soon spawned a series of plays-MADEA’S FAMILY REUNION (2002), MADEA’S CLASS REUNION (2003) and MADEA GOES TO JAIL (2005)- and set the stage for Tyler’s jump to the big screen.

In early 2005, Tyler’s first feature film, DIARY OF A MAD BLACK WOMAN, debuted at #1 nationwide.  By the end of its first weekend in theatres, two things had happened: the film had earned $22 million, and Tyler Perry-writer, actor, and producer-had become a superstar.  Tyler’s ensuing films, MADEA’S FAMILY REUNION, DADDY LITTLE GIRLS, WHY DID I GET MARRIED?, MEET THE BROWNS, and THE FAMILY THAT PREYS have all met with massive critical and commercial success, delighting audiences across America and around the world.  His most recent film, MADEA GOES TO JAIL, spent two weeks at the top of the box office and ultimately went on to gross more than $90 million.2006 saw the publication of Tyler’s first book, DON’T MAKE A BLACK WOMAN TAKE OFF HER EARRINGS: MADEA’S UNINHIBITED COMMENTARIES ON LIFE AND LOVE, which shot to the top of the New York Times nonfiction bestseller list and remained there for eight weeks.  It went on to claim Quill Book Awards for both “Humor” and “Book of the Year” (an unheard-of feat for a first-time author), and spread Tyler Perry’s unique brand of inspirational entertainment to a devoted new audience.   It is a brand that is quickly becoming an empire.

Read Tyler’s entire bio and more at TylerPerry.com.

Enjoy this interview with Tyler as he speaks with CBN about his rise to fame, relationships and marriage.