Shirley Caesar used to refuse to infuse contemporary styles with her traditional gospel sound, but now the 11-time Grammy winner and pastor has changed her stance.

Caesar, who is known as the “Queen of Gospel,” is singing to a different tune on her new solo album, “Good God,” released last week. It’s been four years since she dropped an album, giving her time to embrace a new musical approach.

The 74-year-old brought on up-and-comers such as Kurt Carr and James Fortune as producers to weave a modern, radio-friendly style into her sound.

Caesar sat down with The Associated Press recently to talk about her resurgence in gospel, how she bounced back after a slumping economy and her thoughts on the direction of gospel music.

AP: You have recorded more than 40 albums and have had a traditional sound on all of them. What compelled you to switch up the vibe on your new album?

Caesar: Songs that made me popular like `Hold My Mule’ and `Drive Your Mama Away’ – they were good for me in that season. I still sing them today, but that’s not the kind of gospel that radio is pushing now. I had to listen to what’s going on now, and pick up on it.

AP: How were you able to stay current?

Caesar: I finally started to watch what everybody else is doing, what they are playing and not playing. Then I had to try my best to be right down the middle of the road. … I had to start singing with younger singers, having young producers like Kurt Carr and a writer like James Fortune. Because of it, I’m able to stay current.

AP: You’ve said in the past that you didn’t understand the contemporary gospel style. Since you have worked with newbie gospel artists, what do you think of the genre’s direction now?

Caesar: I think they are awesome. There are more young men singing today. Before, women kind of dominated. Now young men are doing it. I like where it’s going.

AP: The economy was slumping around the time you released “A City Called Heaven” in 2009. How did that affect you?

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